“New Town is without image”: Representations of Enclaves in Cathy Park Hong’s Poetry

Authors

Keywords:

Borders, Korean American literature, Identity, Nationhood, Selfhood

Abstract

This paper examines the manifestation of enclaves in the work of Korean American poet Cathy Park Hong, in order to study how the Korean immigrant experience shapes the representation of selfhood and nationhood. The Korean experience of nationhood rests on unstable national formations, where the enclave plays a dual role of inclusion and exclusion, to which the self and the community both resort so as to assert their existence. We will highlight the ways in which the trope of the enclave in Hong’s poetry is used and interrogated both as a motif derived from Korean American experience and as a tool to address dynamics of marginalization and identity formation on the national level and in the literary community.

Author Biography

Héloïse Thomas-Cambonie, Univ. Bordeaux Montaigne

Héloïse Thomas-Cambonie is a PhD student and Teaching Fellow at the Université Bordeaux Montaigne, and a former student of the ENS de Lyon. She is currently researching a thesis on the representations of historiography, gender, and nationhood in contemporary American literature.

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Published

2017-07-03

How to Cite

Thomas-Cambonie, H. (2017). “New Town is without image”: Representations of Enclaves in Cathy Park Hong’s Poetry. Leaves, (4), 34–48. Retrieved from https://revues.u-bordeaux-montaigne.fr/leaves/article/view/269

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Collection of articles