“The Body in Pain”: George Moore’s A Mummer’s Wife

Authors

  • Fabienne Gaspari Université de Pau et des Pays de l’Adour image/svg+xml

Keywords:

Naturalism, Body, Spaces, Spectacle, Otherness, Entropy

Abstract

We propose to study how A Mummer’s Wife by George Moore orchestrates the discovery of otherness within the self and dramatizes the body’s function as a site of difference and of violence by bringing to the fore the body of its heroine. Written to emulate Zola, A Mummer’s Wife relates the downward trajectory of a shopkeeper’s wife, deserting her husband to follow an actor. An irreversible process of entropy underlies the plot and works first and foremost on the body whose sensations are foregrounded and turned into pain, making it even more visible. The sense of physical immediacy conveyed by Moore’s writing is mediated through tropes, comparisons and metaphors that can be envisaged as an annexation of the bodily otherness of the heroine made and unmade by language.

Author Biography

Fabienne Gaspari, Université de Pau et des Pays de l’Adour

Fabienne Gaspari is a senior lecturer at the University of Pau where she teaches nineteenth-century British literature. She studies the relationships between writing and the body. Her 2012 study, “Morsels for the gods” : l’écriture du visage dans la littérature britannique (1839-1900), examined novelistic treatments of the visage. She has published papers on nineteenth-century British authors including George Moore.

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Published

2018-07-13

How to Cite

Gaspari, F. (2018). “The Body in Pain”: George Moore’s A Mummer’s Wife. Leaves, (6). Retrieved from https://revues.u-bordeaux-montaigne.fr/leaves/article/view/304