« The story […] that goes with the briefcase » : l’objet porteur d’histoire et de mémoire dans Falling Man de Don DeLillo

Authors

Keywords:

9/11, DeLillo, memory, trauma, briefcase

Abstract

This paper proposes to examine the role of the briefcase in Don DeLillo’s Falling Man and the way in which it crystallizes traumatic memory. Initially a mere accessory that indirectly reveals fault-lines in the character’s psyche, the object soon takes on the role of a mediator, of an intermediary that creates a link with the other and weaves the testimony into being. A true actor in the novel, it acts as a vehicle for socialization, language and narrative. Eventually, the symbolic object ends up standing for the abandoned body of the friend; a sign of guilt but also of preserved memory, it becomes a memorial pointing to loss and to the survivor’s sense of inadequacy. The briefcase thus reveals the mourning process at work in the novel, and the process of substituting the object for the friend marks a form of symbolization that remains incomplete because unconscious.

Author Biography

Caroline Magnin, Sorbonne University

Caroline Magnin is the author of a dissertation devoted to the writing of trauma in 9/11 fiction. Her research focuses more generally on the links between clinical and literary dimensions of trauma, the relationships between text, image and sound, and the writing of recent history. She has published several articles on Jonathan Safran Foer’s fiction, notably on fragmentation, and the writing of absence. She is an associate member of the VALE research team (Sorbonne Université) and currently teaches at the Faculty of Law of Paris-Est Créteil University.

Published

2025-01-17

How to Cite

Magnin, C. (2025). « The story […] that goes with the briefcase » : l’objet porteur d’histoire et de mémoire dans Falling Man de Don DeLillo . Leaves, 10(19). Retrieved from https://revues.u-bordeaux-montaigne.fr/leaves/article/view/560