Shaping the Notion of Media Influence: the Remediated Images of the Vietnam War

Authors

Keywords:

Collective memory, Icons, Influence, Photojournalism, Vietnam War

Abstract

The photojournalistic icons of the Vietnam War result from a cultural construction and a process of iconization that took place over several decades. With every reprint and remediation, these pictures lost some of their historical context and came to be read as purely symbolic images. Their meaning has been simplified over time to bend them to a media discourse focused on the writing of history. This article presents a detailed examination of the reprints of these images in the American press since the end of the war and shows how they came to be chosen as representatives of the war but also of the work of photojournalists. Iconic photographs are now used as illustrations of the notion of media influence and represent its most popular incarnation.

Author Biography

Camille Rouquet, Université Paris Sciences et Lettres

Camille Rouquet holds a PhD in Languages and Cultures of the Anglophone World. She defended a dissertation entitled “The Icons of Vietnam and Their Power” at Paris Diderot University in December 2017. She studies the process of iconization of photojournalistic images and its consequences on the construction of history and forms of memory. She has taught courses on the history of American war photography at Paris Diderot and has led a research seminar called Camera Memoria for three years. She currently works at Paris Sciences et Lettres University and continues research within the LARCA.

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Published

2019-01-31

How to Cite

Rouquet, C. (2019). Shaping the Notion of Media Influence: the Remediated Images of the Vietnam War. Leaves, (7). Retrieved from https://revues.u-bordeaux-montaigne.fr/leaves/article/view/311

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Section

Collection of articles