Alejandro Jodorowsky's artistic revolution
Couverture du n°02 de Conceptos : L'ordinaire / Lo ordinario
PDF (Français (France))

Keywords

Jodorowsky
Panique
Poetry
Arrabal
Revolution
Topor

How to Cite

COURRET, J. (2024). Alejandro Jodorowsky’s artistic revolution. Conceφtos, (2), 233–242. Retrieved from https://revues.u-bordeaux-montaigne.fr/conceptos/article/view/94

Abstract

The Chilean Alejandro Jodorowsky lives in France since the 1950s, the poet surprises by the creation of novel works that are not located in a precise and defined movement. The author considers art as an important medium, which needs to be constantly thought about and re-evaluated. Jodorowsky considers his poems, his plays or his drawings as acts of revolution that imply changes and diverse reflections. The poet seeks a new formula with his poems or his Panic Fables. We will see in a first part how the author seeks to integrate the surrealist movement in France, a current that the Chilean considers revolutionary. In a second movement, we will be interested in the artist's own revolution, with the creation of Panique at the beginning of the 1960s, with Topor and Arrabal.

PDF (Français (France))
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2020 Joy COURRET